Orbital – The Middle Of Nowhere (1999)

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Electronica routinely covers more ground, more quickly, than any style of music on the planet; the hottest new sound in January is old hat by March and downright foolish to even mention in June. Orbital, however, is the great constant in the world of techno.

Every few years, the brothers Hartnoll manage to turn in excellent albums that occasionally reference the latest sound but rarely vary from the chord-heavy melodics of their debut single, “Chime.”
Though it took a bit longer to release, Middle of Nowhere is another typically excellent Orbital album.
Experiments with breakbeats and other styles of music made interesting mixers of their previous two albums, Snivilisation and In Sides, and this fifth album includes nods to big beat-techno (“I Don’t Know You People”) and soundtrack composers.

The latter is hardly a surprise, considering the Hartnolls’ sideline gig as score composers (Event Horizon, The Saint). The opener, “Way Out,” adds trumpet solos and a symphonic grandeur — reminiscent of John Barry’s scores for the James Bond films — to the quintessential Orbital sound. Even considering the lack of real progression in sound, Middle of Nowhere reflects the pair once again making all the right moves and not slowing down a bit.

Track listing

Way Out → [Perfomer: Brother Sun Sister Moon] – 8:00
Spare Parts Express – 10:07
Know Where to Run – 9:42
I Don’t Know You People – 7:47
Otoño [Performer: Pooka] – 5:48
Nothing Left 1 [Performer: Alison Goldfrapp] – 7:49
Nothing Left 2 [Performr]: Alison Goldfrapp] – 8:21
Style – 6:24

All tracks are written by Paul Hartnoll & Phil Hartnoll unless stated

`Samples`

A small section from John Baker’s “New Worlds”, which also featured in John Craven’s Newsround, was sampled for “Spare Parts Express”.
The track “Spare Parts Express” contains a sample from the movie Carnival of Souls containing the line “Why can’t anybody hear me?”
The vocal samples in “I Don’t Know You People” are taken from the film The Legend of Hell House.
The vocal sample in “Style” (“Now I’m aching for you”) is taken from “O L’amour” by Dollar