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Rock a Little is the third solo studio album by American singer and songwriter Stevie Nicks, released on November 18, 1985, by Modern Records.
Though the album suffers from some typically mid-80s production at times, it remains an enjoyable listen a
‘Rock A Little’, the long-awaited follow-up to 1983’s ‘The Wild Heart’, was released in November 1985. The album, Stevie’s third apart from Fleetwood Mac, represents somewhat of a departure from her typical style up to that point.
Like so many of her contemporaries did during the era (and to varying results); Stevie embraced the big ’80s’ sound, heavily relying on drum machines, synthesizers, and screeching guitars in the production of the album. While many of the songs retain the singer-songwriter’s signature, mystical quality, ‘Rock A Little’ remains Stevie’s most outward attempt at commerciality, especially exemplified by the inclusion of multiple outside writers.
Another aspect that sets the album aside from her previous work, is Stevie’s voice and singing style, which had become rougher and frayed- an extreme contrast to her early work with Fleetwood Mac (Landslide, Dreams, etc.). But, to her credit, in the “new” world of Cyndi Lauper, Madonna, and Whitney Houston; Stevie held up remarkably well.
The first single from the album, the Chas Sanford-written, “Talk to Me” reached #4 on the Billboard Hot 100 Chart, making it Nicks’ second biggest hit to date.
The song’s simple drum and guitar arrangement was undeniably made-for-radio, but Stevie’s passionate vocal performance saves the song from what could have become ‘just another 80s pop song’ (though it’s lack of airplay on today’s classic rock radio may suggest otherwise).
The second single, “I Can’t Wait”, was unlike anything Stevie had done before or has done since. The song employs a driving rock guitar tempo, smothered in all the 80s fixin’s! Though the song remains one of her biggest hits (#16), it has got to be the most dated sounding single of Stevie’s entire discography.
One of the most baffling things about this record (aside from some head-scratcher lyrics) is the choice of “Has Anyone Ever Written Anything For You” for the album’s third and last single.
The song, which remains a concert staple and favorite among fans, though not lyrically or musically substantial, was saved from the typical over-production. Stevie’s vocal delivery is emotional and touching, set atop a simple piano and keyboard arrangement and makes for a much more effective album closer than it does a hit single.
Many of the lesser-heard album tracks are what make this album great, in some cases outshining the singles. “Imperial Hotel”, “Some Become Strangers”, “If I Were You”, and the autobiographical “Rock A Little (Go Ahead Lily)” are all highlights.
“No Spoken Word”, however, sticks out as one of the best Nicks-penned songs on the album.
It went (and remains) grossly underappreciated and would have made a far more appropriate final single in the place of “Has Anyone Ever Written Anything For You”.
‘Rock A Little’ may suffer slightly from dated 80s production, but taken for what they are, these songs make a strong pop-rock album, full of hooks and pleasing melodies.
Being that the album is so unlike any other in Stevie’s catalog, it may not make the best entrance point for new listeners, but after one hears ‘Bella Donna’ and ‘The Wild Heart’, ‘Rock A Little’ showcases a unique artist, who, even while divulging in commercial pop trends, is able to retain her singular, inimitable style.
Rock a Little spawned the singles “Talk to Me” (US No. 4), “I Can’t Wait” (US No. 16), and the mainstay encore for Nicks’ live shows “Has Anyone Ever Written Anything for You?”
Track listing
I Can't Wait - 4:37
Rock a Little (Go Ahead Lily) - 3:39
Sister Honey - 3:50
I Sing for the Things - 3:45
Imperial Hotel - 2:53
Some Become Strangers - 3:30
Talk to Me - 4:10
The Nightmare - 5:23
If I Were You - 4:11
No Spoken Word - 4:14
Has Anyone Ever Written Anything for You? - 4:38
Personnel
Stevie Nicks – lead vocals, synthesizers
Rick Nowels – E-mu Emulator II, Oberheim OB, Prophet-5, backing vocals, synthesizers, guitars
Jamie Sheriff – PPG Wave, programming, synth string programming, E-mu Emulator programming
Bill Payne – synthesizers
Charles Judge – synthesizers, acoustic piano
Benmont Tench – acoustic piano, organ
Greg Phillinganes – keyboards, synthesizers, timpani
Chas Sandford – Ensoniq Mirage, electric guitar, 6-string guitar, 12-string guitar, bass, drum machine
Bill Cuomo – keyboards
Michael Landau – guitars
George Black – guitars, bass, LinnDrum programming, backing vocals, synth bass, drums
Waddy Wachtel – guitars
Les Dudek – guitars
Danny Kortchmar – guitars
Mike Campbell – guitars
Kenny Edwards – bass
Bob Glaub – bass
Mike Porcaro – bass
Steve Jordan – drums
Russ Kunkel – drums
Andy Newmark – drums
Denny Carmassi – drums
Bobbye Hall – percussion
David Kemper – tambourine, percussion
Barney Wilen – saxophone
Sharon Celani – backing vocals
Marilyn Martin – backing vocals
Lori Perry-Nicks – backing vocals
Maria Vidal – backing vocals
Carolyn Brooks – backing vocals
Technical credits
Dave Hernandez – engineer
John Koverek – engineer, mixing
Shelly Yakus – engineer, mixing
Gabe Veltri – overdub engineer, engineer
Robert Feist – engineer
David Leonard – engineer
Don Smith – overdub engineer, mixing
Chas Sandford – engineer, mixing
Gary Skardina – engineer
Brian Foraker – engineer
Dennis Sager – engineer
George Black – mixing
Jimmy Iovine – mixing
Chris Lord-Alge – mixing
Rick Nowels – mixing
Mick Guzauski – mixing
Herńan Rojas – mixing
Csaba Pectoz – mixing
Keith Olsen – mixing
Tom "Gondo" Gondolf – additional engineer
Tom Swift – additional engineer
John Agnello – assistant engineer
Carol Cafiero – assistant engineer
Mark Corbrin – assistant engineer
Dan Garcia – assistant engineer
David Glover – assistant engineer
Steve Hirsch – assistant engineer
Glen Holguin – assistant engineer
Jon Ingoldsby – assistant engineer
Bill Jackson – assistant engineer
Robin Laine – assistant engineer
Ray Leonard – assistant engineer
Paul Levy – assistant engineer
Casey McMackin – assistant engineer
Frank Pekoc – assistant engineer
Alex Schmoll – assistant engineer
Duane Seykora – assistant engineer
Paul Wertheimer – assistant engineer
Bruce Wildstein – assistant engineer
Ernie Wilkens – assistant engineer
Barry Diament – mastering
Production credits
Debbie Caponetta – production coordinator
Beth Jacobson – production coordinator
Nina King – production coordinator
Tim McDaniel – production coordinator
Glen Parrish – personal manager
Michael Hodgson – art direction, design
Tony McGee – front cover photography
Herbert Worthington III – back cover photography, inner sleeve photography
Stevie Nicks – handtinting back photography
John Reed Forsman – additional photography
NotesReleased: November 18, 1985
Recorded: 1984–1985
Genre: Pop rock, synth-rock
Length: 45:20
Producer(s): Jimmy Iovine, Rick Nowels, Mike Campbell, Chas Sandford, Keith Olsen
Label – Modern Records