Category: Stevie Nicks

Stevie Nicks – Rock A Little (1985)

posted by record facts

Rock a Little is the third solo studio album by American singer and songwriter Stevie Nicks, released on November 18, 1985, by Modern Records.
Though the album suffers from some typically mid-80s production at times, it remains an enjoyable listen a
‘Rock A Little’, the long-awaited follow-up to 1983’s ‘The Wild Heart’, was released in November 1985. The album, Stevie’s third apart from Fleetwood Mac, represents somewhat of a departure from her typical style up to that point.
Like so many of her contemporaries did during the era (and to varying results); Stevie embraced the big ’80s’ sound, heavily relying on drum machines, synthesizers, and screeching guitars in the production of the album. While many of the songs retain the singer-songwriter’s signature, mystical quality, ‘Rock A Little’ remains Stevie’s most outward attempt at commerciality, especially exemplified by the inclusion of multiple outside writers.
Another aspect that sets the album aside from her previous work, is Stevie’s voice and singing style, which had become rougher and frayed- an extreme contrast to her early work with Fleetwood Mac (Landslide, Dreams, etc.). But, to her credit, in the “new” world of Cyndi Lauper, Madonna, and Whitney Houston; Stevie held up remarkably well.
The first single from the album, the Chas Sanford-written, “Talk to Me” reached #4 on the Billboard Hot 100 Chart, making it Nicks’ second biggest hit to date.
The song’s simple drum and guitar arrangement was undeniably made-for-radio, but Stevie’s passionate vocal performance saves the song from what could have become ‘just another 80s pop song’ (though it’s lack of airplay on today’s classic rock radio may suggest otherwise).
The second single, “I Can’t Wait”, was unlike anything Stevie had done before or has done since. The song employs a driving rock guitar tempo, smothered in all the 80s fixin’s! Though the song remains one of her biggest hits (#16), it has got to be the most dated sounding single of Stevie’s entire discography.
One of the most baffling things about this record (aside from some head-scratcher lyrics) is the choice of “Has Anyone Ever Written Anything For You” for the album’s third and last single.
The song, which remains a concert staple and favorite among fans, though not lyrically or musically substantial, was saved from the typical over-production. Stevie’s vocal delivery is emotional and touching, set atop a simple piano and keyboard arrangement and makes for a much more effective album closer than it does a hit single.
Many of the lesser-heard album tracks are what make this album great, in some cases outshining the singles. “Imperial Hotel”, “Some Become Strangers”, “If I Were You”, and the autobiographical “Rock A Little (Go Ahead Lily)” are all highlights.
“No Spoken Word”, however, sticks out as one of the best Nicks-penned songs on the album.
It went (and remains) grossly underappreciated and would have made a far more appropriate final single in the place of “Has Anyone Ever Written Anything For You”.
‘Rock A Little’ may suffer slightly from dated 80s production, but taken for what they are, these songs make a strong pop-rock album, full of hooks and pleasing melodies.
Being that the album is so unlike any other in Stevie’s catalog, it may not make the best entrance point for new listeners, but after one hears ‘Bella Donna’ and ‘The Wild Heart’, ‘Rock A Little’ showcases a unique artist, who, even while divulging in commercial pop trends, is able to retain her singular, inimitable style.

 

Track listing

  1. I Can't Wait - 4:37
  2. Rock a Little (Go Ahead Lily) - 3:39
  3. Sister Honey - 3:50
  4. I Sing for the Things - 3:45
  5. Imperial Hotel - 2:53
  6. Some Become Strangers - 3:30
  7. Talk to Me - 4:10
  8. The Nightmare - 5:23
  9. If I Were You - 4:11
  10. No Spoken Word - 4:14
  11. Has Anyone Ever Written Anything for You? - 4:38

 

Personnel

  • Stevie Nicks – lead vocals, synthesizers
  • Rick Nowels – E-mu Emulator II, Oberheim OB, Prophet-5, backing vocals, synthesizers, guitars
  • Jamie Sheriff – PPG Wave, programming, synth string programming, E-mu Emulator programming
  • Bill Payne – synthesizers
  • Charles Judge – synthesizers, acoustic piano
  • Benmont Tench – acoustic piano, organ
  • Greg Phillinganes – keyboards, synthesizers, timpani
  • Chas Sandford – Ensoniq Mirage, electric guitar, 6-string guitar, 12-string guitar, bass, drum machine
  • Bill Cuomo – keyboards
  • Michael Landau – guitars
  • George Black – guitars, bass, LinnDrum programming, backing vocals, synth bass, drums
  • Waddy Wachtel – guitars
  • Les Dudek – guitars
  • Danny Kortchmar – guitars
  • Mike Campbell – guitars
  • Kenny Edwards – bass
  • Bob Glaub – bass
  • Mike Porcaro – bass
  • Steve Jordan – drums
  • Russ Kunkel – drums
  • Andy Newmark – drums
  • Denny Carmassi – drums
  • Bobbye Hall – percussion
  • David Kemper – tambourine, percussion
  • Barney Wilen – saxophone
  • Sharon Celani – backing vocals
  • Marilyn Martin – backing vocals
  • Lori Perry-Nicks – backing vocals
  • Maria Vidal – backing vocals
  • Carolyn Brooks – backing vocals

Technical credits

  • Dave Hernandez – engineer
  • John Koverek – engineer, mixing
  • Shelly Yakus – engineer, mixing
  • Gabe Veltri – overdub engineer, engineer
  • Robert Feist – engineer
  • David Leonard – engineer
  • Don Smith – overdub engineer, mixing
  • Chas Sandford – engineer, mixing
  • Gary Skardina – engineer
  • Brian Foraker – engineer
  • Dennis Sager – engineer
  • George Black – mixing
  • Jimmy Iovine – mixing
  • Chris Lord-Alge – mixing
  • Rick Nowels – mixing
  • Mick Guzauski – mixing
  • Herńan Rojas – mixing
  • Csaba Pectoz – mixing
  • Keith Olsen – mixing
  • Tom "Gondo" Gondolf – additional engineer
  • Tom Swift – additional engineer
  • John Agnello – assistant engineer
  • Carol Cafiero – assistant engineer
  • Mark Corbrin – assistant engineer
  • Dan Garcia – assistant engineer
  • David Glover – assistant engineer
  • Steve Hirsch – assistant engineer
  • Glen Holguin – assistant engineer
  • Jon Ingoldsby – assistant engineer
  • Bill Jackson – assistant engineer
  • Robin Laine – assistant engineer
  • Ray Leonard – assistant engineer
  • Paul Levy – assistant engineer
  • Casey McMackin – assistant engineer
  • Frank Pekoc – assistant engineer
  • Alex Schmoll – assistant engineer
  • Duane Seykora – assistant engineer
  • Paul Wertheimer – assistant engineer
  • Bruce Wildstein – assistant engineer
  • Ernie Wilkens – assistant engineer
  • Barry Diament – mastering

Production credits

  • Debbie Caponetta – production coordinator
  • Beth Jacobson – production coordinator
  • Nina King – production coordinator
  • Tim McDaniel – production coordinator
  • Glen Parrish – personal manager
  • Michael Hodgson – art direction, design
  • Tony McGee – front cover photography
  • Herbert Worthington III – back cover photography, inner sleeve photography
  • Stevie Nicks – handtinting back photography
  • John Reed Forsman – additional photography

Notes
Released: November 18, 1985
Recorded: 1984–1985
Genre: Pop rock, synth-rock
Length: 45:20
Producer(s): Jimmy Iovine, Rick Nowels, Mike Campbell, Chas Sandford, Keith Olsen

Label – Modern Records