Peter Bjorn and John are a Swedish indie pop/rock band, formed in Stockholm in 1999 and named after the first names of the band’s members: Peter Morén (vocals, guitar and harmonica), Björn Yttling (bass guitar, keyboards and vocals) and John Eriksson, known in his solo work as Hortlax Cobra (drums, percussion and vocals).
Living Thing is the fifth album by Peter Bjorn and John (not including their instrumental Seaside Rock project), released on 30 March 2009 in the UK and 31 March in the US Much darker and more experimental than their previous album Writer’s Block, Living Thing expands the sound of the group by taking more cues from hip-hop and electronic music, in particular the work of African electronic funk musician William Onyeabor.
Since “Young Folks” was such an inescapable smash for them in 2007, it would have been easy for Peter Bjorn and John to try to follow in its bubblegummy footsteps and become a happy little band with a strong line in novelty songs. Instead, the trio first released an instrumental album (Seaside Rock) in late 2008 and then returned with the much darker, less bubbly album Living Thing in the spring of 2009. That being said, Writer’s Block wasn’t that upbeat, and apart from “Young Folks” and a couple other tracks, its sound and lyrical themes were pretty gloomy at heart. There were plenty of guitars, though, and that’s a big difference, as Living Thing continues the trio’s effort to refine and reduce its sound into just the essential elements needed to put the songs across. To that end, guitars make only occasional cameos and basses, too, are rarely heard, as the bulk of the album is based around percussion and voices. The percussion isn’t straight drums, usually they are tweaked or electronic, and often the instruments the band does feature, like piano and synthesizer, are used for their percussive value. It’s an approach often found in hip-hop, and it’s possible that the bands’ association with Kanye West opened their ears to new ways of presenting their songs. Like Kanye on 808s & Heartbreak, PB&J are also infatuated by the icy textures of synth pop on Living Thing. There are healthy amounts of cold synths, FXed guitars, and detached vocals, but like on 808s, there is a very human heart beating beneath the machines and through all the songs.
You can hear it in Peter‘s vocals, in the heart-rending lyrics, in the heartbreak beats, and in the emotionally electric songs. The only song with any hope of replicating a fraction of “Young Folks”‘ success could be the first single, “Nothing to Worry About,” which instead of whistling has children’s voices in the naggingly catchy chorus as the hook. There are plenty of songs that do deliver the expected pop hooks and emotional weight, though. “Living Thing,” with its singalong chorus that references the ELO song of the same name, the ’50s pop-influenced ballad “Stay This Way” (which has a ripping stylophone solo), the comforting and sweet “Just the Past,” and the New Order-ish “It Don’t Move Me” are as good as anything the band has ever done. It’s been kind of a long journey from the simple power pop of the band’s first records to the complex and highly arranged sound of Living Thing, but there are no signs that the trip is over. And if Peter Bjorn and John keep putting out albums as challenging, intelligent, and emotional as this, there is no reason for anyone to get off the bandwagon any time soon.
Three singles were eventually released from the album: “Nothing To Worry About,” ‘It Don’t Move Me,” and “Lay It Down.”
- “The Feeling” – 3:08
- “It Don’t Move Me” – 3:21
- “Just the Past” – 5:10
- “Nothing to Worry About” – 2:56
- “I’m Losing My Mind” – 3:44
- “Living Thing” – 4:38
- “I Want You!” – 3:39
- “Lay It Down” – 3:26
- “Stay This Way” – 4:19
- “Blue Period Picasso” – 4:36
- “4 Out of 5” – 4:08
- “Last Night” – 4:03
Peter Morén – vocals, guitar and harmonica
Björn Yttling – bass guitar, keyboards and vocals
John Eriksson – drums, percussion and vocals
- Phonographic Copyright (p) – V2 Music Scandinavia AB
- Copyright (c) – V2 Music Scandinavia AB
- Licensed To – Wichita Recordings Ltd.
- Made By – EDC, Germany – 52281504
- Recorded At – Atlantis Studio
- Recorded At – Decibel Studios
- Recorded At – Högalid Studio
- Recorded At – Melva
- Recorded At – Skallbergsskolan
- Recorded At – Capitol Studio, Stockholm
- Recorded At – Sear Sound
- Mixed At – Sear Sound
- Mixed At – Decibel Studios
- Mastered At – Masters Of Audio
- Published By – EMI Publishing
- Co-producer, Mixed By – Lasse Mårtén
- Composed By, Arranged By, Performer, Producer – Björn Yttling, John Eriksson, Peter Morén
- Engineer – Janne Hansson, Lasse Mårtén, PB&J*, Tom Gloady, Tommy Andersson
- Mastered By – Henke Jonsson*
- Painting [Album Cover Painting: Details From Trophyroom By] – Thomas Broomé
- Photography By [All Other Photos] – Johan Bergmark
- Photography By [Photo Of Painting] – Per-Erik Adamsson
- Sleeve, Design – Jacob Frössén
Released: 30 March 2009
Created between January and September 2008.
Recorded at Atlantis Studio, Stockholm, Decibel Studios, Stockholm, Högalid Studio, Stockholm, Melva, Los Angeles, Skallbergsskolan, Västerås, Capitol Studio, Stockholm and Sear Sound, New York.
Mixed at Sear Sound, NYC and at Decibel Studios, Stockholm.
Mastered at Masters Of Audio, Stockholm.
Genre: Indie pop
Label – Wichita (UK) / Startime (US)