One Fast Move or I’m Gone: Kerouac’s Big Sur is an album by Ben Gibbard (Death Cab for Cutie) and Jay Farrar (Son Volt), released in 2009. The lyrics are based on the prose of Jack Kerouac‘s novel Big Sur (1962). One Fast Move or I’m Gone was a result of Gibbard’s and Farrar’s mutual appreciation for Kerouac’s work while recording several songs for a feature-length documentary of the same name.
While Jeff Tweedy and Jay Farrar have had their share of differences since the acrimonious breakup of Uncle Tupelo, at least they now have one rather remarkable thing in common — they’ve both had the opportunity to collaborate with a noted American writer who happened to be dead.
In 1998, Tweedy‘s group Wilco joined forces with Billy Bragg on the album Mermaid Avenue, in which they set a handful of newly discovered poems by Woody Guthrie to music, and now Farrar and Benjamin Gibbard of Death Cab for Cutie have released One Fast Move or I’m Gone, a collection of songs created for a documentary film about the fabled Beat-era writer Jack Kerouac and the troubling circumstances that inspired his 1962 novel Big Sur. For One Fast Move or I’m Gone, Farrar has taken passages from Kerouac‘s book and, with a bit of editing and paraphrasing, set them to original melodies, with Farrar and Gibbard trading off on the lead vocals.
Though only a few of the songs actually appear in the movie, Farrar has included 12 tunes on the album, and while they don’t quite tell the whole tale of alcoholic excess and spiritual despair Kerouac set down in Big Sur, the songs honor the spirit of the author, if not quite the letter of his original source. Musically, this material follows the same moody, lonesome, and expansive sound that’s been Farrar‘s melodic trademark in his work with Son Volt and on his solo recordings, and if it hardly matches the swinging bebop jazz usually associated with the Beats (one lyric cites digging Stan Getz on the hi-fi), the bluesy undertow of this music is a good match for Kerouac‘s long, unblinking look into the emotional void.
But while Farrar‘s voice is keyed well to the melodies, Gibbard‘s lighter and more playful tone captures the restless meter of Kerouac‘s writings much more comfortably than Farrar, who somehow manages to make the words of one of the most distinct literary voices of the 20th century sound like outtakes from Wide Swing Tremolo — not bad, mind you, but not all that different from his usual work. One Fast Move or I’m Gone might have evoked Jack Kerouac more vividly with other vocalists besides Farrar, but as a composer and producer, he’s done right by his lyricist, and the results are modest but rewarding.
1. California Zephyr (2:27)
2. Low Life Kingdom (3:22)
3. Willamine (4:01)
4. All In One (2:09)
5. Breathe Our Iodine (2:58)
6. These Roads Don’t Move (3:11)
7. Big Sur (3:25)
8. One Fast Move Or I’m Gone (4:17)
9. Final Horrors (2:42)
10. Sea Engines (3:30)
11. The Void (2:59)
12. San Francisco (3:54)
- Engineer [Assistant] – Alex Hartman (tracks: 1 to 7, 9 to 12)
- Executive Producer – Jim Sampas
- Lap Steel Guitar, Piano, Bass, Electric Guitar – Mark Spencer
- Mastered By – Greg Calbi
- Mixed By – Adam Taylor (tracks: 1 to 7, 9 to 12), Paul Q. Kolderie (tracks: 1 to 7, 9 to 12)
- Pedal Steel Guitar – Brad Sarno
- Producer – Benjamin Gibbard* (tracks: 1 to 12), Jay Farrar (tracks: 1 to 12), Jim Sampas (tracks: 1, 3, 5, 7, 9, 11, 12)
- Producer [Production Assistance] – Mark Spencer (tracks: 2, 4, 6, 10)
- Recorded By [Hyde St. Studios] – Steve Armstrong
- Recorded By [Prairie Sun Recording Studio] – Matt Wright
- Recorded By [Studio] – Mark Spencer
- Recorded By [The Ship] – Aaron Espinoza
- Vocals, Acoustic Guitar, Electric Guitar, Piano, Drums – Benjamin Gibbard
- Vocals, Acoustic Guitar, Slide Guitar, Lap Steel Guitar, Piano, Organ, Harmonica, Percussion – Jay Farrar
- Written-By – Benjamin Gibbard* (tracks: 3, 8, 11), Jack Kerouac (tracks: 1 to 7, 9 to 12), Jay Farrar (tracks: 1 to 7, 9 to 12)
Release Date: October 20, 2009
Recorded at Studio (St. Louis), Hyde St. Studios (San Francisco), Prairie Sun Recordings Studio (San Francisco) and The Ship (Los Angeles). Mixed at Camp Street Studios (Cambridge, MA) and The Ship. Mastered at Sterling Sound (New York City).
Genre: Rock, Stage & Screen
Style: Folk Rock, Acoustic, Country Rock, Soundtrack
Label – Atlantic Records